Author Janet Gurtler on VOICE

I’m thrilled to have good friend and YA Author Janet Gurtler here today. Janet’s newest book, I’M NOT HER is a compelling story of sisters. A terrible cancer diagnosis forces Tess to reevaluate her complex feelings for her perfect sister as she’s pushed into Kristina’s popularity spotlight both at school and at home. Forced to carry an unfair burden of responsibility as her family’s strength crumbles, Tess must fight to remain herself and let her own light shine.

Voice is a huge component of I’M NOT HER, allowing Tess to stand out amid such devastating circumstances, and so Janet is here to share thoughts on this critical, yet complex, element of fiction.

JANET: One thing I heard a lot in the beginning phases of my writing journey (and still hear now) was how important voice was to selling a novel. How imperative nailing voice is to writing a good story. Editors and agents often speak about how they’re looking for a strong voice. Well, I thought back then, I can easily do that. Right?

Of course, first I needed to figure out exactly what this elusive voice thing was. And soon I discovered nailing voice often requires extensive research and always requires careful thought about who your characters are. And how you write best.


It’s the way a story is told, a distinct style of writing. Maybe you use short choppy sentences and lots of sentence fragments (Hello, Me!) or perhaps your voice sings with long lush prose. The voice creates a tone and the author conveys their own voice in the manner they write in. Clear as my son’s fishbowl that he hasn’t changed the water in for three weeks?

Voice also helps elicit emotion from the reader and sets the mood. It’s not so much what you say, but HOW you say it. There are intelligent humorous voices in Young Adult fiction, like John Green. There are lush literary voices like Malinda Lo. Discovering who you are as a writer and being true to that is part of finding your own voice.

Voice pulls readers into a story by making a story real, no matter what the story is about. Real applies to paranormal and dystopian fiction as well as contemporary. Voice makes characters leap off pages and come alive in a reader’s mind. Voice conjures up vivid, visual settings and invites readers along for the ride. How do you show that to your reader?

Take a moment to listen to the voice in the opening of Libba Bray’s book, GOING BOVINE:

“The best day of my life happened when I was five and almost died at Disney World. I’m sixteen now, so you can imagine that’s left me with quite a few days of major suckage. Like Career Day? Really? Do we need to devote an entire six hours out of the high school year to having “life  counselors” tell you all the jobs you could potentially blow at?”

That small passage is ripe with voice, both Libba’s voice and the voice of her narrator, a sixteen year old boy named Cameron. Right away we kind of get a sense of who Cameron is because of what he tells us and the way he tells us.

Voice embodies the way a character speaks. What they say as well as how they say it. So voice is partly how a character sees his world. A fifteen year old boy does not have the same reaction to events or the same conversations a 25 year old woman would. This character doesn’t use the same words or have the same thoughts as another. The dialogue of different characters should be distinct. Use their voices to convey your own.

An eighteen year old girl who lives on a farm in Canada is not going to view the world the same way an eighteen year old girl from New York is. Nor will they sound alike when they talk. So as an author we need to understand our characters in order to properly convey their voices, which in turn helps to create an author voice.

Character interviews and exercises are helpful if you’re inclined to do that sort of thing, but also try to notice things the same way that your character would notice them. It’s both a conscious and unconscious process. In I’M NOT HER, my main character Tess, is an introverted artist. To convey this I tried to show her viewing the world the way she would as an artist. Here’s a passage where Tess is staring at her sister in her hospital bed:

Her cheek bones look more angular and her collarbones jut out from her blue hospital gown. I’d have to use different techniques to sketch her now. Her essence has changed. She’s less charcoal and more shading.

Another character might describe her completely differently. If Tess were a boy, she might have simply said, “She looks skinny and gross.”

When we write characters it’s important to try to be authentic to their voices. Characters likely do not share the same morals of the author, or even the same likes and dislikes. Sometimes our characters have to say or do things we may fully disapprove of. And that’s okay. An author’s experiences and beliefs might naturally flow into character and story, but learning to filter or rework them to suit a story or character, is part of the conscious process of voice. Listen to your characters.

An author may use multiple first person narrators or tell the story as a memory from an omniscient narrator. The voice of the story is definitely shaped by the POV the author writes in.

Have fun with voice. Make it your own. Better yet, make it shine! 


Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online library created to help writers elevate their storytelling. You can find Becca online at both of these spots, as well as on Facebook and Twitter.
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Angie Townsend
9 years ago

As Always–GREAT POST! And Janet is a talented writer for sure. Whoever wins will be very lucky to have her book! 🙂
9 years ago

Great post with excellent advice. Voice is such a struggle. Thanks for this.

Debbie Maxwell Allen
9 years ago

Sounds like exactly the kind of book I love to read!


Clarissa Draper
9 years ago

Voice is one component of writing that is difficult to master. I love this post.

9 years ago

Sure, I’d love to win!

I’m always eager to hear discussions on voice, because it is so elusive.

marcia at marciahoehne dot com

Terri Tiffany
9 years ago

For a very long time, I had no clue about what voice it, but once I did, I look for it in the books I read.Would love to win this book!! terri dot tiffany at yahoo dot com

9 years ago

Some very interesting thoughts and comments here. Thanks for sharing them. Good stuff to think through. Also, thanks for the chance to win!

ruthann (dot) francis (at) gmail (dot) com

Becca Puglisi
9 years ago

What a great post on voice. Man, it’s so hard to figure out how to do it well. I like the idea of thinking in terms of what your character would do or react. I’ve heard that journaling is also a good technique, though I haven’t tried it yet.

Thank you so much, Janet. I can’t wait to read your book!

Janet Gurtler
9 years ago

Thanks to everyone for the comments!

I can totally relate to not being sure about voice. It’s so intangible in some ways, and probably hard for us to hear in our own work?

I think like has been said, you know great voice when you read it. Ie- Libba Bray and John Green!

Good luck on the contest and I hope you like I’M NOT HER (and the voice- grin)

9 years ago

Thanks for the post and giveaway! Voice can be hard to write. I liked the examples in the post!


Gayle C. Krause
9 years ago

Great post about voice. It’s one of the things I’ve struggled with for years. My plots are great. My characters are vibrant. My writer’s voice sucked……until this year.

I guess my characters got tired of being flat and they drop kicked me in the head, because now I’m writing their voices with confidence. 🙂

Thanks for your wisdom and the great examples of voice you shared.

Julie Musil
9 years ago

Such great advice, thanks. Voice is something I hope shines through my work, but I don’t know for sure.

I’M NOT HER sounds like my kind of book, and your passage was beautiful.

Matthew MacNish
9 years ago

I love that you make the point that the voice of the narrator is not the same thing as the voice of the author. They are separate things, but equally important.

Thanks Janet, Angela and Becca!


Kelly Hashway
9 years ago

Great post! I think voice is so important. I read the first page of a book before I buy it because I need to get a sense of voice right from the start.


Laura Pauling
9 years ago

I love when voice shines through in just a paragraph! This books looks great! 🙂

9 years ago

Glad to see your back up and running!! This is a great interview, lots of insight. I have a post set to go this Tuesday on viewpoint/s so it was fun to see an added layer to that. I particularly liked that she stressed you need to listen to your characters and write through their eyes. Much to learn her!! Thanks for the post!!

Lisa Gail Green
9 years ago

Great interview! Voice is so important and so hard to pinpoint. So LOVE GOING BOVINE. Great example. 😀

9 years ago

That’s a really cool lay out of Voice. Of course, there is always the chance that if a person writes, say, two series with two very different Voices, they might have to write them under different names (as happened with Ed McBain) so style changes can have their own problems.

~The Book Pixie
9 years ago

Okay I love that passage Janet included! This is an excellent guest post and thanks for the giveaway as I’m Not Her is on my wishlist. 😀


9 years ago

This is excellent advice. Sometimes everything around you drowns out the voice, but taking time to listen, concentrating, and then it just flows. This post helped remind me of that. Thank you.

Bookish in a Box
9 years ago

Thanks so much for the advice! This bit–“She’s less charcoal and more shading”– is a great example!

whatinabox at gmail dot com

Deb Marshall
9 years ago

Man, great post on voice!! This really resonated for me:

“It’s not so much what you say, but HOW you say it. There are intelligent humorous voices in Young Adult fiction, like John Green. There are lush literary voices like Malinda Lo. Discovering who you are as a writer and being true to that is part of finding your own voice.”

And–no need to enter me in contest cause, well, you know…I’m a bridesmaid, bookmaid, zombie bookbride maid or something like that 😛

Thanks for this!

Christine Sarmel
9 years ago

Great examples of voice! And the snippet from your book makes me want to read it even more. It sounds lovely.

B. A. Binns
9 years ago

I like the idea and theme of your book, and I loved your words about VOICE. it is a huge struggle, especially for me trying to write in a teen BOY voice. It’s always a fight for me to keep myself from the pages and let him emerge. Thanks for writing this.

binns at babinns dot com.

Rene Peterson
9 years ago

A bold subject to take on! Kids think they are invulnerable so it is so helpful for those kids forced into such circumstances to have books that deal with death and loss.

Girl Friday
9 years ago

Excellent post, love the extract you’ve chosen to illustrate it.

9 years ago

I really like the passage showing how Tess sees like her artist character. And sounds like an excellent read all around!

page turner paulina
9 years ago

Wow! I have never read a book about an artist’s POV in life. This sounds interesting, and the passage of where Tess is in the hospital bed sounds more beautiful, then disgusting. Congrats on the book Janet, and thanks for the giveaway!


Patty Palmer
9 years ago

I’ve struggled with voice my whole writing career. Although I understand what a writer must do to create voice, it’s just really hard!
But I plug on. Keep sharing your great tips…now back to writing!

Andrea Mack
9 years ago

Wow – I appreciate all this great info on Voice, Janet! And thanks for the contest.