We’ve all experienced it…the curtain to consciousness opening, and with it, the realization that the best story idea we’ve ever had is carefully unraveling with each passing second into wakefulness. We grab something–anything–and start writing down a the images, thoughts, character tics, plot snippets and world building details before they can escape.
After a shower, a coffee, and if we’re lucky, some form of breakfast that doesn’t have the word “leftover” in it, we sit down to reread our brilliance. And often, the only word to describe what we see is gobbledegook.
It’s disheartening, because we feel that heart flutter, that sense of knowing that a gemstone resides within the clatter of words. But if our dream catcher fails and the images seem no more than disjointed fragments, how can we turn what we’ve collected into something usable?
I’m turning the blog over to author Anthony Metivier, visiting us from Germany, because he’s pondered this very question and has some great ideas to share. Please read on!
It’s well known that if you want to consistently remember your dreams, you need to write them down each and every morning.
This practice used to be a pain back in the day of pen and pencil, especially if you slept with another person.
Today it’s as simple as iPhone and the Plain Text app syncing the words to Dropbox faster than you can thumb them in.
With that problem solved, the question is: how do you get the dream material you’ve recorded into the form of a narrative, a compelling story that people will actually want to read?
A lot depends on exactly how you dream, but it seems to me that irrespective of whether you see narrative shards or full blown scenarios, all dreams serve the same function as Tarot cards spread out on a table before the interpreter’s eye.
As Doktor Freud once taught us, dreams provide the basis for association and the more dreams you have, the more associations to the dream you can make. Recent advances in psychology have worked to demonstrate that dreams probably have no meaning, but that doesn’t suggest that dreams can’t be interpreted and mined for narrative treasure.
Thus, imagine the following scenario:
You wake up and write down everything you can remember from the cinema of your sleep. Because you’ve been practicing “dream writing” for awhile now, the dreams tend to blossom large in your mind and you have no difficulties capturing full portraits of your night time activity.
Instead of looking for a story within the dream itself (which is also a perfectly reasonable and wonderful thing to do if the material is present), look at the dream you’ve written down and its images and let your mind free associate. You might come up with a completely new story or find yourself reflecting on something from your past. It could be something for yesterday, last year or a decade ago.
Using the most prominent association that comes to your mind, examine it for the following characteristics of compelling narrative:
- Does it involve a driving desire that is in conflict with a critical need (like wanting a home with a white picket fence but needing to be a better parent before that house can have any authentic value and serve as a home)?
- Does it involve being trapped or imprisoned in a particular social situation (job, family, etc.)?
- Is there a dilemma in which many options offer themselves as possible solutions without any of them being particularly desirable?
- Has a crisis forced you or someone in the association to take action?
- Did the action lead to some kind of confrontation?
- Did any sense of self-revelation or a better understanding of the self emerge?
- Was there a resolution?
Although the disconnected fragments of a dream may not contain these elements, the episodes our dreams sunder in our minds for association often will. Exploit these and then combine them with the intense imagery of your dreams to make narrative magic.
To give you a case study, during a recent trip to Athens I dreamed of a pregnant woman with a butterfly tattoo on her cheek getting out of prison. She approached a throbbing wall made of human bones and flesh, behind which a dragon was spouting flames. She gave birth to her child and held it up to the wall, which immediately disintegrated into pieces.
When I woke up, I wrote the dream down and immediately started associating it with whatever came to mind. After a few seconds, I arrived upon the Berlin Wall and started to think about a futuristic alternative world in which people are kept out of East Berlin instead of being trapped in it.
I had also recently seen my girlfriend buy a lottery ticket, something that shocked me because I never would have suspected she was a gambler. For whatever reason this came to mind during the free-association, it gave me the idea of having some kind of lottery involved in how people get into this new version of East Berlin.
The next step was to take the scenario and answer each of the questions given
A basic sketch for a visually intense novel I drafted over the next two weeks tentatively called Electville. Using nothing more than my dreams, random associations and my iPhone, I crafted the basis for what would become a rich first draft, most of which was also drafted in bed upon awakening.
The sexiest part of this kind of practice is that it builds what you might call a self-interfering feedback loop. What I mean is that you create one novel-sized plot from a dream and then continue dreaming while working on the novel and still writing down your dreams on a daily basis. Although it doesn’t seem to provide more dreams that richen the novel drafting process, it does seem to compound the intensity of the dreams so that the idea-generating aspect get more and more intense and the depth of the outlines and sketches that emerge become a treasure trove for future exploration.
Even if unused (as most of our ideas ultimately must be), these outlines and sketches are like the gold coins in a pile you never spend because you always have enough to sustain yourself from the surface. And yet those coins you do pick from would never be so evident to your fingers and agile in your imagination if it weren’t for the unspent coins supporting them from below.
This I have learned from making dreams the horde of gold that supports of all my fiction.
Anthony Metivier is the author of Lucas Park and the Download of Doom, How to Remember Your Dreams and founder of the Magnetic Memory Method, a 21st century approach to the Memory Palace Method that makes memorizing foreign language vocabulary, poetry, and the names of the important people you meet easy, elegant, effective and fun.
Angela is a writing coach, international speaker, and bestselling author who loves to travel, teach, empower writers, and pay-it-forward. She also is a founder of One Stop For Writers, a portal to powerful, innovative tools to help writers elevate their storytelling.