So, you did Nanowrimo and you made it to 50K! Congratulations, but you still have work to do. That’s right, now you need to revise … But where to start??
If you are feeling overwhelmed, then check out these 10 revision pointers. They can act as a handy checklist.
1. Wait
First up, do NOTHING. That’s right … Just let that novel sit in a drawer or on your computer’s desktop. Do absolutely zilch with it, for a couple of days (minimum) or weeks (preferred) or months (maximum).
Let your subconscious bubble away, working on any of your story’s problems as you get on with other stuff. In fact, here’s a great list of things to think about at this stage. (If you’ve already done this, now is the time to get going!)
2. Prepare a Copy
This bit is important. DO NOT have just one copy of your manuscript or screenplay – that way misery lies, Paul Sheldon style. Instead, send a copy to your eReader or print out a hard copy so you can make notes your preferred way. (Just make sure you can’t get sucked into typing more of it, so DO NOT read it on your laptop!).
3. Read
You need to read it like a new reader would, so try and be as objective as possible. Don’t let yourself off the hook just because you like a character, scene, or line of dialogue. Be really honest with yourself and get ruthless!
4. Avoid Revising the Draft as You Read
Remember, this is all about THE READ. There may be whole chunks that are dull, need fleshing out or make no sense. Remind yourself this is okay, it’s a first draft! Just write a few brief ‘notes to self’ to remind yourself for later.
5. Concentrate on the Big Picture First
When you’re done with your readthrough, you need to concentrate on the big picture stuff first. These include …
- The concept (aka premise). Is it obvious WHAT this story is? Do I get a sense of the tone, genre and style? What has gone before that is *like* my story?
- Characters. Do my main characters WANT something? Does it drive the story forwards? Do I understand WHO is doing WHAT and WHY?
- Structure/ Plotting. Can I follow the plot holistically? Does it feel like there’s ‘enough’ at stake? Are there ‘story cul-de-sacs’ that don’t seem to go anywhere? Does the plot seem to escalate, or run on the spot?
A good tip here is to use a plotting worksheet LIKE THIS ONE. By ‘drawing the story’ – and understanding the characters’ actions within it – you are less likely to end up stuck in what I call ‘The Story Swamp’ in your redraft.
For more on writing craft, you can grab a free online mini course on everything mentioned in this article, HERE.
6. Next, Concentrate on Scene by Scene
I like to write a list of every chapter or scene, then summarize what happens within it. In screenwriting, these lists are called beat sheets. It’s also a great way of working out whether there’s enough going on in each chapter in your book. You can cross-reference with your plotting worksheet and figure out if scenes are in the ‘right’ order.
7. Get Rid of Your Obvious ‘Writer Tells’
Watch out for random info dumps that slow the read down. Info dumps are also a favorite of amateur writers, so you want to make sure your exposition flows smoothly. Last of all, make sure you identify your crutch words. Crutch words are those ‘filler words’ you personally over-use that can be substituted or cut altogether.
8. Sweat the Small Stuff
So you’ve worked on the big plotting and character stuff holistically … Then worked your way down to individual scenes. This means NOW is the time to really work on stuff like grammar, spelling and punctuation. I would also recommend ensuring your draft is free from purple prose, which are those overwritten, ornate chunks of text.
9. Stay Positive
At this point, you may feel like your brain is about to explode. You may hate your book and have no idea whether it is good. THIS IS NORMAL and literally happens to all writers, even pro authors. Don’t freak out.
10. Get a Beta Reader (or two!)
Now you’ve written and revised your novel, it’s time for some feedback. Get a beta reader – this is someone who can give you feedback. Find them online in writers’ groups, via hashtags on Twitter and Instagram or at networking events (both on Zoom and real life). Alternatively, there are services where you can pay for specialist readers, though B2W always recommends exhausting your free options first.
Good Luck!
Lucy V. Hay is a script editor, author and blogger who helps writers. She’s been the script editor and advisor on numerous UK features and shorts & has also been a script reader for 20 years, providing coverage for indie prodcos, investors, screen agencies, producers, directors and individual writers. She’s also an author, publishing as both LV Hay and Lizzie Fry. Lizzie’s latest, a serial killer thriller titled The Good Mother is out now with Joffe Books, with her sixth thriller out in 2024. Lucy’s site at www.bang2write.com has appeared in Top 100 round-ups for Writer’s Digest & The Write Life, as well as a UK Blog Awards Finalist and Feedspot’s #1 Screenwriting blog in the UK (ninth in the world.). She is also the author of the bestselling non-fiction book, Writing & Selling Thriller Screenplays: From TV Pilot To Feature Film (Creative Essentials), which she updated for the streaming age for its tenth anniversary in 2023.
Lisa Tener says
These tips are excellent. I might add reading aloud. That always helps me get a better sense of how it sounds and where my writing gets clunky.
Lucy V says
Great addition!!! Thanks Lisa
Jan Sikes says
Excellent advice shared here today!
Lucy V says
Glad it was useful, thanks for letting me know!
BECCA PUGLISI says
These are great tips, Lucy. Thanks for the timely post 🙂
Lucy V says
Glad tohelp!