Category Archives: Tension
Storytelling Decisions: What’s the Right Pace for Your Story?
As we learn to write, we often hear about the need to create a strong pace in our story. Many seem to think that a strong pace requires a fast pace. However, that’s not what’s meant by strong. So what … Continue reading
How to Build Powerful Character Relationships
Character relationships are, in many ways, the glue that holds a story together. Almost every tale has at least one relationship at the heart of it, often more. Rarely can a character sustain a story on their own; they need … Continue reading
Build a Bridge: From Story Beginning to Main Conflict
During one of my previous posts as a Resident Writing Coach, we talked about the importance of strong goals for helping our story move forward. But as we discussed in the comments of that post, our characters can start off … Continue reading
Capturing an Unhappy Relationship: A Writer’s Roadmap
Relationships are a complicated beast, and if you write romance like me, then you’re wed (pun intended) to the HEA ending (happily ever after). But the reality is, we have a divorce rate of almost 1 in 2 marriages; so … Continue reading
Goal-Oriented Storytelling: Satisfaction
Welcome to the final post in this four-part series on ANTS. As I mentioned in my first post, ANTS is a goal-oriented framework for storytelling. It’s what you’re trying to achieve by making great characters, settings, and plots for your … Continue reading
Avoiding Change: What’s Stopping Our Characters?
Stories are about change. Our characters’ world is changing around them, or they’re changing internally—or both. Yet at the same time, we know change is hard. In our own lives, we struggle to change our habits or take steps to … Continue reading
How to Craft Engaging Dialogue Exchanges
One of the best places to reveal your character’s emotions is during dialogue. Author Peter Gelfan joins us with some great considerations on how to make these exchanges more powerful, drawing readers in. Read on! Although we like to think … Continue reading
Goal-Oriented Storytelling: Tension
This is the third post in my four-part series on ANTS, my framework for understanding what a story needs to keep readers engaged. Previously, I’ve covered attachment and novelty. Now it’s time to look at the big reason why stories … Continue reading
There Will Be Blood
This is something I say to almost every writer: Make no mistake, there WILL be blood! No, I’m not referring to the movie. Or even to literal blood. But to the fact that if what happens in your plot doesn’t … Continue reading
Use Theme to Determine Subplots, Supporting Characters, and Tension
I recently spoke at the Storymakers conference in Utah, and while I was there, I attended a class on theme. Theme is kind of an ethereal topic, difficult to grasp and even harder to apply. But I was blown away … Continue reading