Very few things pull people in like conversation. After all, when someone speaks, they are making themselves vulnerable to others. How? Because words are steeped in thoughts, beliefs and emotions. They have meaning. Power.
When we talk to someone, what we’re really doing is sharing a piece of ourselves with them. And they in turn listen, weigh our words, and then judge us on some level by what we say. It’s a bit intimidating when you break it down like that, which is why most people think carefully about what to share, and what to hold back. Protecting ourselves from feeling exposed is an immediate response because it ties into our survival instincts.
This creates a big problem for writers trying to form realistic dialogue scenes. Our goal is for readers to pick up on the thought process and emotions of a character so they can better understand their motives and gain insight into who they are. But if dialogue is too honest, and characters share too much about what they feel, the conversation will ring false. Add this to the complication of Point of View (where the reader is not always privy to a character’s direct thoughts) and suddenly showing emotion becomes extra challenging!
So how do we show readers what a character is really feeling when they don’t say it in dialogue?
The answer of course, is body language.
Unlike this picture, conversation doesn’t happen in a vacuum. People move, gesture, shift and pose. In fact, over 93% of communication is nonverbal. Think about that for a second–those conversations you have with friends, the heart-to-hearts with loved ones. All the things you have told to your spouse, the emotions you have verbally shared. This is but a tiny fraction of actual communication.
Our bodies are speaking for us constantly, even though we don’t realize it. When we are trying to hide how we feel, our body language provides ‘cues’ that others will pick up on. We might become less animate. Our voices may lower or tighten. Our posture may shift, our attention might stray or maybe we’ll start fiddling with a button or loose string. Each of these is a clue that something is amiss.
Adding body language to your dialogue scenes will help you get across a character’s emotions even when they are determined to hide what they feel.
Here are 5 ways to reveal a character’s true emotions during dialogue:
Opposites Attract. When a character is speaking without conviction, agreeing for the sake of it or even passing off a lie, show how what he says does not mesh with what his body does. For example, if he’s agreeing with another person’s suggestion, show his affirmative response: “Sure, sounds good,” but his tone is flat, or his shoulders are bowed or his arm movements and hand gestures lack strength.
Facial Expressions. Normally, the face does not offer a lot of options as far as emotional expression goes, but I believe the exception to that is in dialogue. A well placed grimace, eyes that go wide or a tugging of the ear can go a long way. Facial expressions are often the body’s first reaction to another person’s dialogue. They can reveal how characters feel about what they are hearing or seeing. Just remember, less is more. Facial expressions cannot support the emotional weight of an exchange alone, and should be used with care.
Personal Distance. Everyone has an amount of personal space that feels comfortable to them. When we feel at ease, the space shrinks, but when we grow tense, the need to create more space is strong. Show this need, and what a character does to increase or erase space as they take part in a conversation.
Bearing, Posture and Movement. How a character stands, sits, their posture, bearing and how their body moves within their environment is an important indicator as to how they feel. Confidence is a stiff back, exposed neck and eye contact. Doubt is a bent neck, hesitating movements, a slow stride and dropped glances. What a body does is a mirror to how a person feels, so describe your character’s actions as they engage in the conversation.
Voice! Sometimes what is said is not as revealing as how a character says it. Does their voice rise or lower in pitch? Do they rush through their words, or offer them only a few at a time? Do they employ sarcasm to mask a deeper emotion? Is there a hesitation or warble present? Most of us do not have as much control over our voices as we would like, so it is an effective and realistic way to reveal shifting emotions with our characters.
Additional links to explore:
How about you? What techniques do you use to show your characters’ emotions during dialogue scenes? Let us know in the comments!