Successful stories are driven by authentic and interesting characters, so it’s important to craft them carefully. But characters don’t usually exist in a vacuum; throughout the course of your story, they’ll live, work, play, and fight with other cast members. Some of those relationships are positive and supportive, pushing the protagonist to positive growth and helping them achieve their goals. Other relationships do exactly the opposite, derailing your character’s confidence and self-worth or they cause friction and conflict that leads to fallout and disruption. Many relationships hover somewhere in the middle. A balanced story will require a mix of these dynamics.
The purpose of this thesaurus is to encourage you to explore the kinds of relationships that might be good for your story and figure out what each might look like. Think about what a character needs (good and bad), and build a network of connections for him or her that will challenge them, showcase their innermost qualities, and bind readers to their relationship trials and triumphs.
Protagonist and Crush
Description: There are many kinds of romantic relationships; this one is all about a protagonist who’s crushing on someone. It may be a far-off person who doesn’t know the character exists (a celebrity or someone at the office) or a person with whom they’re already in a platonic relationship (their boss, a best friend’s sibling, or a friend-of-a-friend). Sometimes the other person is oblivious to the protagonist’s infatuation while, in some cases, it’s obvious despite the character’s best attempts at hiding it.
Relationship Dynamics:
Each relationship is different, depending on the people involved, their history together, their individual personalities, and a host of factors. Below are a wide range of dynamics that can accompany this relationship. Use the ideas that suit your story and work best for your characters to bring about and/or resolve the necessary conflict.
Admiring from afar
Trying to catch the crush’s attention in non-intrusive ways (going to a party they’re attending, finagling an introduction via a mutual friend, etc.)
The protagonist purposely looking their best when the crush is around
Mooning over the crush to the safe people in the character’s life
Seeing the crush in a positive light; recognizing and valuing their positive traits and attributes
Learning about the crush’s hobbies and taking an interest in them
Seeking to impress the crush (through the character’s performance at work, by highlighting their own strengths, etc.)
Mentally replaying small interactions and analyzing them for interest
Conflicting Desires that Can Impair the Relationship
When the crush is taboo (a sister’s ex, someone the character’s parents don’t approve of, someone from a different caste, etc.)
Crushing on someone and learning that a friend is interested in the same person
Crushing on two different people
Clashing Personality Trait Combinations: Bold and Timid, Flirtatious and Jealous, Observant and Reckless, Childish and Mature, Cruel and Innocent, Manipulative and Kind, Needy and Withdrawn, Pretentious and Uncouth
Negative Outcomes of Friction
The protagonist changing their personality or values to avoid conflict with the crush
Sacrificing healthy relationships with those who express concern about the character’s obsession
Being rejected by the crush and becoming depressed or self-destructive
Scenarios That Could Turn These Characters into Allies
A situation revealing personality differences that make the character realize the crush is better as a friend or ally than a romantic partner
Being paired in a contest or competition where the character must put aside personal feelings to work alongside the crush
The crush having feelings for someone close to the character, and the character realizing they make a better pair and helping him/her win the person over
Ways This Relationship May Lead to Positive Growth
A better match comes along, enabling the character to embrace happiness with someone else
The character realizing that it’s better to be alone than with someone who isn’t a great match
Themes and Symbols That Can Be Explored through This Relationship
Betrayal, Coming of Age, Enslavement, Freedom, Friendship, Hope, Innocence, Instability, Isolation, Love, Perseverance, Suffering, Vulnerability
Other Relationship Thesaurus entries can be found here.
Need More Descriptive Help?
While this thesaurus is still being developed, the rest of our descriptive collection (15 unique thesauri and growing) is accessible through the One Stop for Writers THESAURUS database.
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Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online library created to help writers elevate their storytelling.
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