5 Important Ways to Use Symbolism in Your Story

So many elements go into a truly good book. When we turn that final page with a satisfying sigh, it’s often hard to identify just what made it a success. But many times, symbolism is one of the things that ties the whole work together. Done sloppily, it’s heavy-handed and forced, and turns the reader off. And when it’s done well, symbolism is one of those elements that the reader doesn’t notice; they just recognize that everything worked. It’s an important element, but really hard to do well. That’s why I’m glad to have K.M. Weiland here today.

Symbolism is just one element that she tightens the focus on in her latest release: Jane Eyre: Writer’s Digest Annotated Classics. I had the pleasure of reading this arc, and it was so incredibly interesting, seeing a classic analyzed to see what made it a success. It frankly would have scared the poo out of me, being the one to pick apart such an iconic, well-known novel, but Katie totally nailed it. So rather than blather on, I’ll just turn things over to the expert ;).

Symbolism can sometimes be a tough concept for authors to get their heads around. How do we come up with the right symbols in the first place? What should they be symbolic of? And how do we incorporate them into our stories without making them so obvious we lose all their symbolic value?

Symbolism offers one of the richest opportunities for writers to deepen their themes, past just the conscious appreciation of the readers and right into their emotional and subconscious cores. That’s a lot of power right there. And we’d be crazy to leave it on the table.

V8374c_JaneEyre.inddCharlotte Brontë’s classic masterpiece Jane Eyre (which I analyze in-depth in my book Jane Eyre: The Writer’s Digest Annotated Classic) is a wealth of symbolism. You want to know how to do it right? All you have to do is learn at Brontë’s feet. Following are five methods of symbolism she used to enhance every aspect of her story—and which you can use too!

Symbolism Type #1: Small Details

You can include symbolism in even the smallest of your story’s details. The colors your characters wear. The movies they watch. The pictures they use to decorate their apartments. All of these details offer the opportunity for symbolic resonance.

In the first chapter of Brontë’s story, Jane Eyre is reading a book called Bewick’s History of British Birds, which features significantly bleak and desolate descriptions of the English landscape. On the surface, these descriptions have no connection to Jane’s world—except that, of course, they do. Brontë could just as easily have given Jane a cheery romance to read. Instead, she used the bleak descriptions to symbolize Jane’s bleak life as an orphan living with her cruel aunt.

Symbolism Type #2: Motifs

A motif is a repeated design. In a story, a motif is an element repeated throughout the narrative, often to obvious effect. Sometimes, however, it will be used in a less conspicuous way that infiltrates the readers’ subconscious with a web of symbolic cohesion.

The concept of orphanhood is prominent throughout Jane Eyre, most notably in the main character’s own status as a loveless orphan. Indeed, the concept of love and what people have to do to earn it is central to the entire story. Brontë reinforces the obvious aspects of this motif time and again throughout the story. Consider just a few examples:

  • Early on, a servant sings a song about an orphan girl.
  • Adele, the child Jane is hired to look after, is ostensibly an orphan.
  • When Jane encounters the Rivers family, late in the story, she discovers they are newly orphaned themselves, after the death of their father.

Brontë never draws attention to the motif by directly comparing these examples to Jane’s own orphaned state. Rather, she simply allows their presence in the story to reinforce the overall effect.

Symbolism Type #3: Metaphors

Motifs can also be metaphors. Indeed, some of the best symbols in literature are visual metaphors for thematic elements. You may choose to use fire to represent a character with a hot temper. Running water may become a symbol for purification. Illness might represent sin or corruption.

The main metaphoric motif in Jane Eyre is that of birds as symbols for captivity and freedom. Brontë uses the bird metaphor throughout the story to symbolize the relativity of every character and setting in relation to this fundamental theme. Small, plain birds such as sparrows represent Jane. Birds of prey refer to Rochester. And Thornfield—Rochester’s prison and Jane’s sanctuary—is frequently described in terms of a bird’s cage.

Often, strong metaphoric language will emerge naturally while writing a story. In the rewriting, see if you can identify any recurring motifs that crop up. Can you strengthen them to better represent your theme? Try to figure out ways to use different aspects of the same motif to describe varying characters.

Symbolism Type #4: Universal Symbols

Some symbols are ingrained so deeply in our social psyche that they are used in practically every story. The power of these symbols lies in the fact that they will already have been accepted deep into your readers’ subconscious minds. (Their potential weakness, of course, is that their very prevalence can make them seem like clichés.)

Weather is a particularly good example. Thunderstorms are often used as the background for a character’s defeat—or as a contrast to a seeming victory. When Jane accepts Rochester’s proposal, the lightning that strikes a tree in the garden isn’t just a random happening. It’s a portent of the dark revelations that will soon sunder their love.

Symbolism Type #5: Hidden Symbolism

Some types of symbolism will be so deeply buried within your story that your readers may not recognize them at all. Obviously, the value of hidden symbolism is significantly less than that of other types. After all, what good is something if the reader never notices it?

For example, Rochester’s horse is named Mesrour. Very few readers will catch the significance of this: Mesrour is the name of the executioner in Arabian Nights.

Why name the horse this at all? Why not Blackie? Or even O Beauteous One? For starters, both of the latter names would have been a poor use of our Symbolism Type #1. “Mesrour,” even without explanation, enhances the already dark and mysterious tone of the novel. And for those readers who do catch the obscure reference, the symbolism will only be that much stronger.

Symbolism is a delicate dance. But authors can’t afford to overlook it. When choreographed correctly, it can spell the difference between a three-star novel and a five-star novel. Just ask Jane!

K.M. WeilandK.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY and NIEA Award-winning and internationally published author of the Amazon bestsellers Outlining Your Novel and Structuring Your Novel. She writes historical and speculative fiction from her home in western Nebraska and mentors authors on her award-winning website Helping Writers Become Authors.

Looking to Enhance Your Symbolism or find the perfect Motif? Visit Our Symbolism Thesaurus.


Becca Puglisi is an international speaker, writing coach, and bestselling author of The Emotion Thesaurus and its sequels. Her books are available in five languages, are sourced by US universities, and are used by novelists, screenwriters, editors, and psychologists around the world. She is passionate about learning and sharing her knowledge with others through her Writers Helping Writers blog and via One Stop For Writers—a powerhouse online library created to help writers elevate their storytelling. You can find Becca online at both of these spots, as well as on Facebook and Twitter.
This entry was posted in Guest Post, Symbolism, Writing Craft. Bookmark the permalink.

49 Responses to 5 Important Ways to Use Symbolism in Your Story

  1. Pingback: Symbolism in Stories: Start Here - Bethany Henry

  2. I am trying to weave symbolism into my Southern Gothic horror short story for Fiction Writing class, and this helped give me an idea how. Thank you for sharing.

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  4. Jenn T says:

    I just used this to finish a class assignment and it helped so much! thank you

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  8. Pingback: Symbolism – Seminar in Composition

  9. Matthew says:

    This isnt all symbolism. for instance reading a bleak book is character defining, but not symbolism.

  10. April says:

    If i’m going to make a symbol for my novel, is it better in simple symbol like harry potter’s or animal’s symbol like hunger games?

  11. Shreet says:

    Should the symbolics be used to depict the exact current occurences or can I use them to help readers predict the upcoming, not to depict the immediate?

  12. amza says:

    Thanks for sharing,
    it’s very helpfull for me to get done my assigment….
    if you do not mind, please make an article about how to use symbolism to analyze a poetry….
    thank you

  13. Pingback: Yuri Kuma Arashi and the Effects of Symbolism, Part 1 | The Chuuni Corner

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  15. I’m learning to do this in my own works, thanks to this writing book!!

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  18. Great article! Jane Eyre is one of my favorite classics. And symbolism is such an interesting topic! Something to keep in mind when I write my next novel.

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  20. This was well said. Succinct.

  21. Bess says:

    Thank you for this great insight on symbolism. I was strong in English in school and remember how much emphasis was put on symbolism , including having to write papers that require the use of it and other literary devices. It’s often too easy to neglect such things as this. Thank you for much needed reminders such as this!

    • K.M. Weiland says:

      It’s also one of those things that be difficult to identify, since it is necessarily so subtle within context. Sometimes it can be tough to get our brains around a conscious application of something the reader will need to ingest subconsciously.

  22. :Donna Marie says:

    OOOPS! I thanked Becca instead of K.M.! Sorry! Thank you, K. M. 😀

  23. :Donna Marie says:

    Oh, Becca, I am SO big on symbolism and plan to use a LOT of it in my novels. Have also used it in a storybook in an effective way, I think. LOVE this! Thank you 😀

  24. I’m going to echo Becca–I LOVED your annotated Jane Eyre. Well, I love all your books, haha, but this one I felt was made for me because I struggle to “see the technique” sometimes because I get sucked into good writing so easily. A great learning tool for all writers.

    This is a great breakdown of symbolism too! I think symbolism are the light layers of fabric that keep the reader immersed in the story. Often they don’t consciously see the symbolism, but their minds recognize it from their filter of experience. It’s a good lesson that we don’t have to point red arrows to the symbols for the readers to get it, and often it does just naturally happen. 🙂

    • K.M. Weiland says:

      So glad you enjoyed the book! I think the whole idea of annotating books specifically writers is genius (I can say that because the editors at Writer’s Digest get all the credit for coming up with it :p ). I’m personally itching to get my hands on the next installment in the series, which will be Dracula annotated by Mort Castle due out later next month.

  25. Lucinda W. says:

    Excellent article, Katie. I’ll be able to apply this during rewrites. The symbolism I have right now is misdirected. And I need to get this book for sure.

  26. Sarah D'Anne says:

    I love symbolism. Every character name I choose, I choose because of its meaning. Colors too. One of my characters has green eyes, which represents Shakespear’s “green eyed monster.” He doesn’t show his jelousy right away, but it is mentioned in the beginning, kind of foreshadowing later events (also, green meaning envy).

  27. Angela Brown says:

    Thanks for this excellent breakdown of the ways to use symbolism. I agree that when symblolism is used effectively in a novel, it adds to the enjoyment of the story.

  28. Nicely put, Katie. Symbolism is so effective in good fiction (especially when it’s not heavy-handed).

    • K.M. Weiland says:

      Really, the key is that *can’t* be heavy-handed. If readers who aren’t even looking for the symbolism notice it, then it loses all of its subconscious punch.

  29. K.M. Weiland says:

    Thanks so much for having me today, ladies! And thanks for the kind words about the book, Becca. So glad you enjoyed it! It kinda scared the poo out of me too. 😉

  30. Sara L. says:

    Wow! Such a well-written article, K.M. “Jane Eyre” is one of my all-time favorite novels, but I never picked up on the symbolism you pointed out here. It makes me want to re-read the book again. 🙂 Thank you for sharing your insights!

    • K.M. Weiland says:

      The best symbolism is what you *don’t* pick up on. It needs to flow so seamlessly within the story that it’s never a hiccup on the reader’s conscious mind.

  31. Mark Dark says:

    Thanks for this excellent article. I do, however, challenge the idea that hidden symbolism isn’t as powerful as more obvious symbolism. If symbols exist under the surface of the language maybe they penetrate our souls under the surface of our consciousness – which arguably has a deeper and more profound effect?

    • K.M. Weiland says:

      Hidden symbolism’s value is only less if the reader is totally unaware of the significance. For those who have no idea what “Mesrour” means and have never seen the name before, it’s probably not going to mean much, even subconsciously. But otherwise, I totally agree. The power of symbolism is always in its subtlety.

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