Last time I coached on Writers Helping Writers, I talked about 6 Tricks to Layer on Stakes, in it, I explained how I like to think of stakes as potential consequences–what could happen if a certain condition is (or is … Continue reading →
Stakes are what are at risk in a story. It might be that the protagonist’s life is at risk, or perhaps a romantic relationship, or maybe the opportunity to go on a long-awaited trip (Hello, Covid!). But I find this … Continue reading →
Did you know that before Becca became an author and writing coach, she was a teacher? It’s true. And if you know her, you’re probably thinking, I can see that. It makes sense. Why? Because when you think of a … Continue reading →
This spring, Becca and I released two very important tools for writers… The Emotion Thesaurus 2nd edition (expanded by 55 entries) and a Character Builder Tool at One Stop for Writers. These two releases happened within days of each other, … Continue reading →
This is the third post in my four-part series on ANTS, my framework for understanding what a story needs to keep readers engaged. Previously, I’ve covered attachment and novelty. Now it’s time to look at the big reason why stories … Continue reading →
If we’ve spent any time learning about story craft, we know the importance of goals in our story. They affect every aspect of our story: Stories are about a problem to solve—a goal. Characters striving for something are more compelling. … Continue reading →
We’ve probably all heard the advice to end our scenes and chapters on a hook. At the end of every scene or chapter, readers might put down our book and decide against picking it up again, so it’s important to … Continue reading →
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