So many elements go into a truly good book. When we turn that final page with a satisfying sigh, it’s often hard to identify just what made it a success. But many times, symbolism is one of the things that ties the whole work together. Done sloppily, it’s heavy-handed and forced, and turns the reader off. And when it’s done well, symbolism is one of those elements that the reader doesn’t notice; they just recognize that everything worked. It’s an important element, but really hard to do well. That’s why I’m glad to have K.M. Weiland here today. Symbolism is just one element that she tightens the focus on in her latest release: Jane Eyre: Writer’s Digest Annotated Classics. I had the pleasure of reading this arc, and it was so incredibly interesting, seeing a classic analyzed to see what made it a success. It frankly would have scared the poo out of me, being the one to pick apart such an iconic, well-known novel, but Katie totally nailed it. So rather than blather on, I’ll just turn things over to the expert ;).
Symbolism can sometimes be a tough concept for authors to get their heads around. How do we come up with the right symbols in the first place? What should they be symbolic of? And how do we incorporate them into our stories without making them so obvious we lose all their symbolic value?
Symbolism offers one of the richest opportunities for writers to deepen their themes, past just the conscious appreciation of the readers and right into their emotional and subconscious cores. That’s a lot of power right there. And we’d be crazy to leave it on the table.
Charlotte Brontë’s classic masterpiece Jane Eyre (which I analyze in-depth in my book Jane Eyre: The Writer’s Digest Annotated Classic) is a wealth of symbolism. You want to know how to do it right? All you have to do is learn at Brontë’s feet. Following are five methods of symbolism she used to enhance every aspect of her story—and which you can use too!
Symbolism Type #1: Small Details
You can include symbolism in even the smallest of your story’s details. The colors your characters wear. The movies they watch. The pictures they use to decorate their apartments. All of these details offer the opportunity for symbolic resonance.
In the first chapter of Brontë’s story, Jane Eyre is reading a book called Bewick’s History of British Birds, which features significantly bleak and desolate descriptions of the English landscape. On the surface, these descriptions have no connection to Jane’s world—except that, of course, they do. Brontë could just as easily have given Jane a cheery romance to read. Instead, she used the bleak descriptions to symbolize Jane’s bleak life as an orphan living with her cruel aunt.
Symbolism Type #2: Motifs
A motif is a repeated design. In a story, a motif is an element repeated throughout the narrative, often to obvious effect. Sometimes, however, it will be used in a less conspicuous way that infiltrates the readers’ subconscious with a web of symbolic cohesion.
The concept of orphanhood is prominent throughout Jane Eyre, most notably in the main character’s own status as a loveless orphan. Indeed, the concept of love and what people have to do to earn it is central to the entire story. Brontë reinforces the obvious aspects of this motif time and again throughout the story. Consider just a few examples:
- Early on, a servant sings a song about an orphan girl.
- Adele, the child Jane is hired to look after, is ostensibly an orphan.
- When Jane encounters the Rivers family, late in the story, she discovers they are newly orphaned themselves, after the death of their father.
Brontë never draws attention to the motif by directly comparing these examples to Jane’s own orphaned state. Rather, she simply allows their presence in the story to reinforce the overall effect.
Symbolism Type #3: Metaphors
Motifs can also be metaphors. Indeed, some of the best symbols in literature are visual metaphors for thematic elements. You may choose to use fire to represent a character with a hot temper. Running water may become a symbol for purification. Illness might represent sin or corruption.
The main metaphoric motif in Jane Eyre is that of birds as symbols for captivity and freedom. Brontë uses the bird metaphor throughout the story to symbolize the relativity of every character and setting in relation to this fundamental theme. Small, plain birds such as sparrows represent Jane. Birds of prey refer to Rochester. And Thornfield—Rochester’s prison and Jane’s sanctuary—is frequently described in terms of a bird’s cage.
Often, strong metaphoric language will emerge naturally while writing a story. In the rewriting, see if you can identify any recurring motifs that crop up. Can you strengthen them to better represent your theme? Try to figure out ways to use different aspects of the same motif to describe varying characters.
Symbolism Type #4: Universal Symbols
Some symbols are ingrained so deeply in our social psyche that they are used in practically every story. The power of these symbols lies in the fact that they will already have been accepted deep into your readers’ subconscious minds. (Their potential weakness, of course, is that their very prevalence can make them seem like clichés.)
Weather is a particularly good example. Thunderstorms are often used as the background for a character’s defeat—or as a contrast to a seeming victory. When Jane accepts Rochester’s proposal, the lightning that strikes a tree in the garden isn’t just a random happening. It’s a portent of the dark revelations that will soon sunder their love.
Symbolism Type #5: Hidden Symbolism
Some types of symbolism will be so deeply buried within your story that your readers may not recognize them at all. Obviously, the value of hidden symbolism is significantly less than that of other types. After all, what good is something if the reader never notices it?
For example, Rochester’s horse is named Mesrour. Very few readers will catch the significance of this: Mesrour is the name of the executioner in Arabian Nights.
Why name the horse this at all? Why not Blackie? Or even O Beauteous One? For starters, both of the latter names would have been a poor use of our Symbolism Type #1. “Mesrour,” even without explanation, enhances the already dark and mysterious tone of the novel. And for those readers who do catch the obscure reference, the symbolism will only be that much stronger.
Symbolism is a delicate dance. But authors can’t afford to overlook it. When choreographed correctly, it can spell the difference between a three-star novel and a five-star novel. Just ask Jane!
K.M. Weiland lives in make-believe worlds, talks to imaginary friends, and survives primarily on chocolate truffles and espresso. She is the IPPY and NIEA Award-winning and internationally published author of the Amazon bestsellers Outlining Your Novel and Structuring Your Novel. She writes historical and speculative fiction from her home in western Nebraska and mentors authors on her award-winning website Helping Writers Become Authors.